This album presents three contemporary violin concertos, each showcasing a unique compositional approach to the instrument.
Iannis Xenakis' *DOX-ORKH* (1991) is a powerful and virtuosic work that pits the violin against the orchestra in a dramatic struggle. The title reflects this contrast, with "Dox" representing the solo violin and "Orkh" symbolizing the orchestra. The piece employs Xenakis' characteristic clusters, microtonal glissandi, and rhythmic complexity, creating a dense and uncompromising sound world.
Rafael Mira’s *Desde Tan Tien* (1990) is a concerto exploring concepts of movement and equilibrium, inspired by the Tan Tien energy center in the human body. The orchestration uses divided tuning, with half of the orchestra tuned a quarter-tone higher than the other, producing an evolving texture of dissonances and shifting harmonies.
Luciano Berio’s *Corale (su 'Sequenza VIII')* (1981) expands on his earlier solo violin work *Sequenza VIII*, placing the soloist in dialogue with two horns and strings. The work blends historical violin traditions with Berio’s modern harmonic language, resulting in a deeply expressive and technically demanding composition.
Performed by Irvine Arditti and the Moscow Philharmonic Orchestra under Jonathan Nott, this album captures the raw energy, expressive depth, and innovative techniques of these groundbreaking violin concertos.
