This recording is a sublime collection of harpsichord sonatas by the eighteenth-century Spanish composer Sebastián de Albero (1722-1756). Performed by Joseph Payne on historically accurate harpsichords, these works showcase the distinctive Spanish influence on the baroque music form, especially noted for its rhythmic vitality and melodious charm.
The album consists of various sonatas in major and minor keys, exhibiting a rich array of emotions and techniques that reflect both the traditional Spanish style and the broader European musical scene of the period. Each piece is crafted with a deep understanding of the harpsichord’s capabilities, featuring fast tempos, vibrant zapateado and fandango rhythms, and the unique exploitation of the instrument's sound for special effects.
Sebastián de Albero, a significant but somewhat overlooked figure in the royal court of Madrid, was known for his mastery in integrating binary form in his compositions, a method not fully explored by many of his contemporaries. This recording brings to light some of Albero’s most engaging works, preserved in manuscript collections in Madrid and Venice.
Joseph Payne, an expert in harpsichord interpretation and performance, brings out the nuances of Albero's compositions with skill and sensitivity. Payne’s expertise, coupled with his background as a student of several eminent musicians, including Wanda Landowska, adds depth to this historical repertoire, making it a significant addition to classical music collections.
This album not only highlights the technical demands of Albero's sonatas—characterized by elaborate leaps, rapid scales, trills, and thematic variations—but also celebrates the lyrical qualities and emotional range of Spanish baroque music. It's a testament to Albero's artistry and a tribute to his contribution to the harpsichord literature.
Total playing time: 68'31
