This album presents Carl Philipp Emanuel Bach's early keyboard sonatas, including the "Prussian" sonatas Nos 5 and 6 and other works from the same period performed by Miklós Spányi on clavichord These pieces highlight Bach’s exploration of form and his ability to blend Baroque contrapuntal techniques with the emerging Galant style Spányi uses a historically accurate clavichord to bring out the intricate textures and expressive nuances of these sonatas showcasing their lyrical melodies dynamic contrasts and innovative character.